Excerpt from page 846
"Timmy!" said Timmy.
Because the top search term leading people to this site the past month was "firewhiskey recipe," I will gladly reprint an update in a simpler, less wordy fashion, than the recipe from my essay about alcohol in the Harry Potter books:-Slowly warm up half bottle of scotch on low heat, DO NOT BOIL!
-In a separate small pot, add various spices to about a cup of water (which can be heated to a near boil.) I recommend ample amounts of various hot chili sauces, cayenne pepper, chipotle, turmeric, nutmeg, and anything else in your spice cabinet that may have a kick.
-Mix the pots and poor into shot glasses. (Make sure it's not so hot to burn your mouth when you take the shots!)
-Chase with butterbeer.
In my original version, I used Dave's Insanity Sauce, which is a hot sauce so hot that it needs to be diluted. Since you may not be using this, there might not be any reason to dilute the spices in the cup of water, and if you wish, just add them directly to the whiskey. I'd appreciate feedback in comments!
Note on the spelling: In my original post on firewhiskey & butterbeer recipes, I spelled it "firewhisky." However, most everywhere else on the internet spells it firewhiskey, so I assume they're correct. (Generally, "whisky" is the Irish spelling, and "whiskey" everywhere else.) I don't have the books in front of me to look up how Rowling spells it, but I just noticed, in the Harry Potter Wiki, both spellings are used there for different brands: "Popular brands include Ogden's Old Firewhiskey and Blishen's Firewhisky."
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The Daily Beast reported today that Sir Ahmed Salman Rushdie criticized Jonathan Stuart Liebowitz for having Steven Demetre Georgiou sing at the Rally to Restore Sanity and/or Fear last Saturday. (I use their real names, not for political or racial reasons, but for silly reasons.) Jon Stewart had the artist former known as Cat Stevens (Yusuf Islam has apparently dropped the 'Islam' because five of the five letters spell 'Islam', and some Europeans & Americans have islamic allergies) sing his beautiful song "Peace Train" before it was interrupted by Stephen Tyrone Colbert ("I will not ride that train") & John Michael "Ozzie" Osborne singing "Crazy Train."

A summary of this article in the Guardian: Jonathan Franzen publishes yet another Great American Novel. The New York Times reviewer Michiko Kakutani praised its "visceral and lapidary" prose. Jodi Picoult tweeted "NYT raved about Franzen's new book. Is anyone shocked? ... Would love to see the NYT rave about authors who aren't white male literary darlings." This gave everyone some nice controversy to discuss for awhile, and the rest of us can feel slightly guilty every time we're enjoying a modern white male author. What bothered me about Picoult's criticism of the critic wasn't that she herself liked the novel, or that Franzen is a tool, or that she's a novelist using Twitter. It's this follow-up tweet in re Kakutani's use of the word lapidary: "Did you know what [it] meant when you read it in Kakutani's review? I think reviewers just like to look smart."
A classic from the blog Better Book Titles, for Plato's Symposium:


There is another Sett of Men who have contributed very much to the spoiling of the English Tongue; I mean the Poets, from the Time of the Restoration. These Gentlemen, although they could not be insensible how much our Language was already overstocked with Monosyllables; yet, to same Time and Pains, introduced that barbarous Custom of abbreviating Words, to fit them to the Measure of their Verses; and this they have frequently done, so very injudiciously, as to form such harsh unharmonious Sounds, that none but a Northern Ear could endure: They have joined the most obdurate Consonants without one intervening Vowel, only to shorten a Syllable: And their Taste in time became so depraved, that what was a first a Poetical Licence, not to be justified, they made their Choice, alledging, that the Words pronounced at length, sounded faint and languid. This was a Pretence to take up the same Custom in Prose; so that most of the Books we see now a-days, are full of those Manglings and Abbreviations. Instances of this Abuse are innumerable: What does Your Lordship think of the Words, Drudg'd, Disturb'd, Rebuk't, Fledg'd, and a thousand others, every where to be met in Prose as well as Verse? Where, by leaving out a Vowel to save a Syllable, we form so jarring a Sound, and so difficult to utter, that I have often wondred how it could ever obtain.
Speaking of quixotic Pynchon projects, this artist Zak Smith has created an illustration for every page of Gravity's Rainbow. (That's a dense, difficult 760 page postmodern novel, often displayed unread on college dorm room book shelves.) Here's Mr Smith's writer's statement:
So I illustrated Gravity's Rainbow-- nobody asked me to, but I did it anyway. Most of the pictures are drawings-- ink on whatever paper was lying around, but there are also paintings (acrylic), photos I took, and experimental photographic processes. I tried to illustrate the passages as literally as possible-- if the book says there was a green Spitfire, I drew a green Spitfire. Mostly, I tried to make a series of pictures as dense, intricate, and rich as the prose in the book. The entire project was shown in the Whitney Museum's 2004 Biennial Exhibition of Contemporary Art and is now in the permanent collection of the Walker Art Center in Minneapolis.

I accidentally bought a new hardcover copy of this book while attempting to Christmas shop for other people. It's a beautifully written book about vegetarianism, but sadly, I have to report, I don't think he's doing a very good job of including non-vegetarians within its ideal audience. Still, he's one lovely author, & it's lovely just to be curling up in the sun beneath my Christmas tree reading his words (Jonathan Safran Foer hasn't published anything since 2005's Extremely Loud & Incredibly Close, one of my favorite books.) And isn't the cover art kind of Christmasy?

I was reading this story by the great Bulgarian writer Elin Pelin. Because it's written in a certain dated conversational style (I think. Help Bulgarians?) I was having some trouble on a few points. So I decided to plug it into Google Translate. I am now more confused:Stravnitsa bear appeared, and the girls in wells izpoyala, outbreaks of grandmothers, the elders in the taverns, the children in the streets. Nobody is not hired to kill the bear, the village from evil to escape.
Hired to be clever Gyuro mighty smart. Gyuro led them in forest green on varhishta and valleys, led them, swore them - to bear captured, alive or dead in the village to bring.
Gone, wandering, falls, becoming - Mechata hole reached.
Delighted to be clever Gyuro mighty smart.
- Hey you you, metsano Todor - shouted Gyuro - come to dine!
Bear Zarena stravnitsa hole in condensers. Rhubarb and does not go.
- Wait, I'll teach you! - Smart Gyuro cried also, and said to his comrades smart: - Tie me around the waist with a strong rope, pa me out the sword hole, bears live stravnitsa ear to download.
Heroes tied smart and clever Gyuro hole he placed the sword.
Nutty metsana Todora clever head and Gyuro Zarena.
- Oh, catch it! Here, Gyuro! - Smart and cried zadarpali rope.
They pulled outward, pulling the bear inside. Bear pulling inward, outward, they pull!
At one time - just to see! Made use clever Gyuro headless ...
Chudom wonder smart heroes.
- Well, de Gyuro his head?
- But you know he had a head?
- I think he had.
- Pa. I think it would.
- There.
- None.
Broil smart heroes and can not decide - I had a clever head Gyuro or not! And they went to ask the bride Gyurovitsa. Knocked, knocked on the door:
- Come, come, wife Gyurovitse, tell us - I had Gyuro head or not!
Gyurovitsa bride gone, scratched out thought, PA said:
- I know!
- Ka-would not you know? Think! ...
- Well, you know ... For Easter Gyuro buy their cap, and had to have head.
As you might already know, I've been blogging for the Lewis Carroll Society of North America at lcsna.blogspot.com--, an extension of the "From our Far Flung Correspondents" section of Knight Letter, the society's magazine, which Mrs Eley & myself have been hired on to help edit. I would like to occasionally re-post some of the Lewis Carroll blogging over here on itwaslost.org, if that's alright with you, it's alright with me, as these two websites get different traffic. And this one should interest our lovely seguidores brasileiros:
Attention Portuguese-speaking Lewis Carroll readers! The Lewis Carroll Society of Brazil has several colorful blogs and websites with a bottomless rabbithole of books, links, art, tudo Alice. Look at all of these edições Brasileiras de Alice no país das Maravilha listed on the dizzying alicenations.blogspot.com. (The groovy cover to the left is from a 1974 edition with ilustrações by Brazilian artist Oswaldo Storni.)Marina Peliano once was my little sister. But she ate any strange cookie and so suddenly she grew turning trapeze artist, sweet maker and art student, artist growing too. I asked her to do some drawings inspired on Alice and she followed the adventure. I found really beautiful her Alices who look like her. I remember now the letter of the writer Paulo Mendes Campos to his daughter when she was fifteen: "This book is crazy. The meaning is in you."

Mrs Eley & I are slowly starting our new gig as editors for one of the sections at the Knight Letter, the magazine from the Lewis Carroll Society of North America. I'll also be blogging for them at lcsna.blogspot.com. Here's a re-print of my inaugural post over there:
Lewis Carroll was not mentioned by name, nor was the word 'portmanteau' ever dropped, but Humpty Dumpty's spirit lurked around the September 13th, 2009, episode of This American Life (#389 Frenemies). Starting at 29:45 in the episode, Ira Glass interviews lexicographer Erin McKean, whom he had asked to research the word 'frenemy'. She found the first attempted coinage by gossip columnist Walter Winchell in 1953, who wrote "how's about calling the Russians our 'frenemies'?", although the word didn't really take off till decades later.Glass: Wait, are there other words like this, where they sound alike, and then they get smashed together into one word?(They go on to discuss the word 'slanguage' and lexical gaps.) The lexicographer and the radio host condescend a bit to these enthusiastic amateur wordsmiths, but they're far from being the first people to think they've coined a clever portmanteau. Mark Burstein quotes from James Atherton's The Books at the Wake, when he discusses the creation and later development of word-smashing techniques from Carroll to Finnegans Wake:
McKean: Oh, it happens, like, all the time. I mean, think, there's, like 'guesstimate', right? And that's from 1936.
Glass: Do you have another one?
McKean: I love this one, and people say this one all the time with a little thrill of thinking they're the first person ever to say it: You know, that someone is entering their 'anecdotage.'
Glass: I've never heard that. So you get old, and then you start telling your anecdotes, and that's it?
McKean: Right, and I think the central part, is that you start telling the same anecdotes over and over again.
Glass: Right. You got another one?
McKean: Lots of people think that they are the first person to create the word 'linner'.
Glass: Linner?
McKean: Linner is that meal you must have between lunch and dinner.
Glass: That just makes me feel mad at somebody, hearing that...
It must have astonished [James] Joyce, that avant-garde innovator, proud of his Irish nationality, contemptuous of the Church of England, and confident of his own originality, to find that he had been forestalled in so many of his discoveries by a mid-Victorian Englishman in minor Anglican orders.Of course, Humpty Dumpty doesn't claim to have invented the practice, nor any of the portmanteaus of which he is the master. And back to Ira Glass, it's a shame they didn't get into the history of "smashing together" words, but it's interesting to learn that part of a lexicographer's job is to let people down when they learn they didn't invent words like 'anecdotage'.
At least the creator of Emoji Dick has noble intentions:
First, I needed a public domain book that I could get the plain-text version of easily. The Bible seemed too obvious. I then wanted something very large and long, so that I could demonstrate the scale possible with Amazon’s Mechanical Turk. Moby-Dick seemed to fit those criteria, so I just went for it, and assigned the first couple chapters as a test run. The results were fantastic. I then realized that the story behind Moby-Dick is about this huge, seemingly insurmountable challenge, told using metaphors and stylized language, and in a way, that’s what translating a book into emoji is—a weird, huge challenge told in metaphors and stylized language.
I’m interested in the phenomenon of how our language, communications, and culture are influenced by digital technology. Emoji are either a low point or a high point in that story, so I felt I could confront a lot of our shared anxieties about the future of human expression (see: Twitter or text messages) by forcing a great work of literature through such a strange new filter.
From Mr Quill's All Forgotten Blog:
For those of you who were bored reading Tolstoy's ramblings in War & Peace, perhaps this will help you appreciate just how crazy one can go thinking too much. I'm sure we've all had such conversations with ourselves in various states of sobriety.
Our continuing series, a yearlong celebration of the three-year anniversary of this blog, we reprint what I wrote exactly three years ago, to the minute. This essay is interesting because I still feel similarly; & I've made drinking friends in Berkeley, some of which are the Brooklyn friends who slowly realized I was on to something by moving to Berkeley.

Look what happens to the average “long-distance relationship.” Either the couple is together, then moves to separate locations, & there is a gradual idealization & growing apart, resulting in catastrophe; or, they move apart, & then move back together after a time, & the gradual idealization & growing apart results in an awkward period of disillusionment. This is an extremely generalized over-simplification: some long-distance relationships have ended in the happiest marriages. What about friendships in the age of e-mail, cellphones, & MySpace? Perhaps, because there is no pressure for ceaseless love & daily communication, one can make these connections in college, for instance, & continue to receive the mystical collaborative elements thru e-mail, whilst receiving his drinking-companion needs around the corner (if around the corner offers no conversations about Bartók or Thomas de Quincey.)
My high school & college friends have settled in a startling plethora of locals – New York, London, Liverpool, India, Hainan, Alabama, Massachusetts, L.A., Brazil, & even Texas. I was saddened that few of my close friends visited me when I was living in Tahoe, a place I wanted to show off, but who can blame them with travel so inefficient & expensive. I've moved to the bay area to increase the feeling of community, & already surprising people have visited & plan to visit. I'm not having much luck establishing regular drinking companions, tho, but that comes with patience & employment.
The book I am reading is by William McDonough & Michael Braungart, a chemist & an architect who propose redesigning how things are made. Valuable technical materials & chemicals are regularly mixed with natural materials, & disposed in land fills where both are useless. They suggest that everything can be made to be infinitely recyclable or immediately biodegradable, separating the biosphere from the “technosphere”. Newspapers, for instance, are made from recycling things things that were not meant to be recycled, & are printed on with toxic inks, & bleached with more chemicals, & are useless after one or two cycles – everything is always “downcycled.” This book, Cradle to Cradle, is not made out of a tree, but of high quality plastics & safe inks. It is extremely durable & waterproof; but when it is thrown “away”, it can be washed & melted to create another equally high quality book. They suggest that current methods of recycling are merely “less bad”, & often placate the liberal masses with righteousness; however, it is possible to a create a system that is “good.” Slowing down the current destructive industrial system could actually be worse in the long run; & preaching “efficiency” & being conservative with resources just pisses off capitalists obsessed with growth. It pits environmentalists against industry. In nature however, growth is good. (Their example is of a cherry tree, whose excess blossoms & fruit are not “waste” but nourishing & beautiful.)
I just got to a part where they suggest that all sustainability is local. Diversity, adaptability, culture, dialect: these are successful reactions to location for both nature & human society. And this Earth offers an almost infinite variety of locations, all of which life has adapted to inhabit. Sustainable local systems nourish your community, & add up to a fully nourished macrocosm. Liberals often point out that Super-Walmarts in sprawled suburban areas hurt every aspect of society: “Main Street” culture, the local economy, the quality of your neighbor's jobs, lack of support for local agriculture, the quality & ethics of distant agriculture, the amount of fossil fuels burned to transport the products, all the unnecessary packaging waste, and the list goes on. I would never imply that long distance friendships are the Walmarts of Modern America. But, your average white post-college American liberal tends to be semi-nomadic, befriending people everywhere, & settling in a baffling array of places. I would like to see a statistic for how many settled where they grew up. Conservative Midwesterners, as a stereotype, are much more family & hometown oriented.
Plato often evokes love for God by discussing love between humans, & mystics use the language of the natural world to describe the subtle heavens. Human connections – a web of nourishment, waste, & sustainability – can perhaps be understood with a model of community, agriculture, energy flows, and Walmarts. Or, more likely, they are a synecdoche (an inclusive metaphor, a metaphor which is included in what it stands for.) Friendship & love are as much a part of a balanced, healthy society as the politics, food cycles, architecture, & everything else. Indeed, this spiritual interconnection can be seen as the soul to a town's body. The Electoral College in a huge county deprives local communities of an actual democracy (in California, for instance, I know we'll get the democratic presidential vote, so there's no reason to campaign or canvass or even argue with my neighbor.) Could the combination of cheap travel, easy relocation, the Internet, and sprawl add up to a modern civilization where friendships are like the disposable diapers that fill up our landfills?
On the famous mug of American author John Steinbeck we usually picture a thin private-eye mustache. But I've been reading his later non-fiction Travels with Charley, & in a section where he is describing his camping costume ("utilitarian if a bit bizarre"), he has a fine paragraph in praise of beard:My face has not ignored the passage of time, but recorded it with scars, lines, furrows, & erosions. I wear a beard & mustache but shave my cheeks; said beard, having a dark skunk stripe up the middle & white edges, commemorates certain relatives. I cultivate this beard not for the usual given reasons of skin trouble or pain of shaving, nor for the secret purpose of covering a weak chin, but as pure unblushing decoration, much as a peacock finds pleasure in his tail. And finally, in our time a beard is the one thing a woman cannot do better than a man, or if she can her success is assured only in a circus.
It's a little hard to find photos of Steinbeck's beard. For such a public figure, why is it so hard to find pictures of his bearded phase - is the anti-beard establishment deliberately repressing them? Here's one of Steinbeck lurking behind his son, John Steinbeck IV, a journalist in Vietnam, meeting President Johnson:
Charley is also a fine hairy man. We think of manly Steinbeck, roughing it around the continental United States with his camper & his dog, an American archetype. But Charley is not only a poodle, but a large black French Poodle born & raised in France. (His nationality especially shows in his skill with romance.) With his peacock beard & his French poodle, there's a nice redefinition of American masculinity.

Pele's new twitter name is anbargris, & I recalled this picture of a humongous piece of ambergris that an old lady found on the beach in New York. From the Times in December 2006:
In this season of strange presents from relatives, Dorothy Ferreira got a doozy the other day from her 82-year-old sister in Waterloo, Iowa. It was ugly. It weighed four pounds. There was no receipt in the box.-"Please Let It Be Whale Vomit, Not Just Sea Junk", by Corey Kilgannon, New York Times, December 18th, 2006Inside she found what looked like a gnarled, funky candle but could actually be a huge hunk of petrified whale vomit worth as much as $18,000.
“I called my sister and asked her, ‘What the heck did you send me?’ ” recalled Ms. Ferreira, 67, who has lived here on the eastern tip of Long Island since 1982. “She said: ‘I don’t know, but I found it on the beach in Montauk 50 years ago and just kept it around. You’re the one who lives by the ocean; ask someone out there what it is.’ ”
Who would think, then, that such fine ladies and gentlemen should regale themselves with an essence found in the inglorious bowels of a sick whale! Yet so it is. By some, ambergris is supposed to be the cause, and by others the effect, of the dyspepsia in the whale. How to cure such a dyspepsia it were hard to say, unless by administering three or four boat loads of Brandreth's pills, and then running out of harm's way, as laborers do in blasting rocks. [...]
Now that the incorruption of this most fragrant ambergris should be found in the heart of such decay; is this nothing? Bethink thee of that saying of St. Paul in Corinthians, about corruption and incorruption; how that we are sown in dishonour, but raised in glory. And likewise call to mind that saying of Paracelsus about what it is that maketh the best musk. Also forget not the strange fact that of all things of ill-savor, Cologne-water, in its rudimental manufacturing stages, is the worst.
Hermione is tipsy. Neville is serving drinks. Ron is sipping mead and Harry is partying with his professors. Liz Perle, a mother of two teenage boys and the editor in chief of Common Sense Media, which reviews books, movies and Web content aimed at children, said she was bothered by so many scenes showing alcohol as a coping mechanism. “Hermione is such a tightly wound young lady, but she’s liberated by some butterbeer,” she said. “The message is that it gives you liquid courage to put your arms around the guy you really like but are afraid to.” Seriously, Liz Perle!? Come on! This article actually transitions from the quotes of concerned parents to newsy pseudo-science like: "Even accounting for variables like friends’ drinking habits, the researchers found that children with high exposure to alcohol in movies were nearly three times as likely to binge-drink as those with the lowest exposure." In Harry Potter, after Harry has been attacked by a dementor, Professor Lupin gives him chocolate to restore him, not exactly advanced magic. All thru-out the books, Rowling understands that there are simpler magics & emotional forces more powerful than some of her sillier spells. What exactly is a potion but a brewed beverage with transformative properties? Alternately, when Ron is recovering from a strong potion, Professor Slughorn gives him a shot of mead which turns out to be laced with a powerful poison - not exactly the positive metaphor for drinking that parents fear. And there's of course two much more potent beverages in the Half-Blood Prince book - love potion & felix felicis (liquid luck). None of this fictional magic is far-fetched from what any teenager or adult has experienced from well-timed libations. I'd like to note that the other recipes for butterbeer on the internet sound DISGUSTING. One involves melting butter into cream soda & butterscotch-flavored syrup. And other variants on that. I guarantee these will have no magical properties except in the WC. Please drink butterbeer with real beer, and for the sake of American Society, have a mug with your 16-year-old friends & neighbors, especially when they are dealing with real 21st Century problems or celebrating something worth celebrating. They might need some liquid luck. When we made firewhisky a few years ago, I used one of the most powerful hot sauces on the market, Dave's Ultimate Insanity Sauce. It's not a hot sauce you can just splash on your food, it has to be heavily diluted for any recipe. I boiled a small pot of water & basically added every spice in the spice cabinet, some fresh herbs, & some of this terrifying Dave's sauce. Then I slowly heated some bourbon in a separate pan (the Half-Blood Prince warns not to boil alcohol lest it become impotent). Then mix them when they're hot, gird up your loins, & take a shot. In retrospect, it makes more sense to use scotch or Irish whiskey, & I'm sure this recipe can be finer tuned or made with any variety of potent spices or chili sauces. But I do recommend the hitting-it-with-everything strategy & serving it very hot. Other recipes on the internet have ways to ignite the shot, but this seems cheesy & unnecessary, & Rowling does not mention the firewhisky actually being on fire. Don't be so literal! The fire's supposed to be in your belly & soul. _________________________________________________________________
The movie Harry Potter & the Half-Blood Prince has gotten teenage drinking in the news. And it's true, after they point it out, there is a bunch of booze in the sixth movie. In the earlier books, there was always a bit of ambiguity about butterbeer, it was not really clear if it was even alcoholic. By the later books, it's more implied that it does definitely loosen the students up. And another drink appears in the later books called firewhisky, & I recall there being a funny scene when they go to The Hog's Head, the sketchier pub in Hogsmeade. Ron is excited that they might serve him firewhisky, but Hermione shoots him down. At some point, in the last book, doesn't Harry actually drink a shot? They're toasting the memory of a fallen member of the Order of the Phoenix, & I think she describes the burning feeling you get when you first sip whiskey.
Okay, prepare yourself, because these quotes from the New York Times might make you more nauseous than a butterbeer firewhiskey carbomb:
This article pretends to present the issue unbiasedly, but the concerned parents they quote are definitely weighed heavier. And by taking the drinking out of their context in the school & the other potions & spells, it might make it more alarming to paranoid parents that Hogwarts is a bad influence.My friend Jenny Ruth came up with a simple recipe for butterbeer, but it involves a beer you can only get in Western America - New Belgium's 1554 Black Ale from Fort Collins, Colorado. Just add a dash of butterscotch schnapps to the top of a mug & it's extremely delicious & tastes exactly like I imagined in the books. The Black Ale is an old Belgian recipe - neither porter nor stout, but a very dark mild ale - and I'm sure the butterscotch will taste fine on top of any mild, dark ale; or any dark beer that's not hoppy.
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My illuminated nonsense rhyming poetry book - only $2.15 on scribd.com:
American Martin K. Speckter invented the interrobang in 1962. As the head of an advertising agency, Speckter believed that advertisements would look better if copywriters conveyed surprised rhetorical questions using a single mark. He proposed the concept of a single punctuation mark in an article in the magazine TYPEtalks. Speckter solicited possible names for the new character from readers. Contenders included rhet, exclarotive, and exclamaquest, but he settled on interrobang. He chose the name to reference the punctuation marks that inspired it: interrogatio is Latin for "a rhetorical question" or "cross-examination"; bang is printers' slang for the exclamation point. Graphic treatments for the new mark were also submitted in response to the article.
I far prefer the irony mark (unicode U+2E2E), "point d’ironie; also called a snark or zing", which is about as necessary as a Duchamp artist statement:This mark ؟ was proposed by the French poet Alcanter de Brahm (alias Marcel Bernhardt) at the end of the 19th century. It was in turn taken by Hervé Bazin in his book Plumons l’Oiseau (1966), in which the author proposes several other innovative punctuation marks, such as the doubt point () certitude point (
), acclamation point (
), authority point (
), indignation point (
), and love point (
).
Its form is essentially the same as the late medieval , a percontation point (punctus percontativus), which was used to mark rhetorical questions.
-Patriotism mark-Incantation point-Galvanic mark-Bloviation point-& for sentences which are neither full-stopped nor ongoing, we propose the quasi-stop.
it came And wept at our wintry Door: Look! look! behold! Gwendolen Is become a Clod of Clay! Merlin is a Worm of the Valley!